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Working on the collection “Path” I tried to give objects a primitive, architectural monumentality to express the idea of transforming the material by man, revealing its potential, and giving it the appropriate functionality.

The juxtaposition of a concise shape, a flat surface, and a recognizable arched curve with a rough, chaotic clay’s nature in its natural state was intended to show the process of creation: from a pure material to a functional object. Modelling a vase with hands smeared in clay of a contrasting color makes visible every touch, which remains on the dark vase body, and allows me to reveal this process even more deeply.